In truth, it was anything but: The couple split after Page's worsening mental health and intensifying religiosity became overwhelming. Page had what looked like a traditional domestic life for the first time. Lear, a divorcee, had kids already, which appealed to Page, who couldn't bear children of her own. By this time, she was living out of the spotlight. Walterson was more interested in booze and hamburgers, and their union ended as hastily as it had begun.Īfter an ill-advised second wedding to Billy Neal, Page married Harry Lear in 1966. In 1958, she married a man named Armond Walterson, who was 12 years her junior. He even commissioned a custom watch for her, but he left her to give his marriage a second chance. Arbib was separated from his wife at the time, and his and Page's affair was quite public. Page hadn't known he was actually married until Garcia's wife caught them. Once she'd become famous, Page dated well-known industrial designer, Richard Arbib. He was an excellent dancer and lover, but a dishonest boyfriend. The love of her life was a man named Carlos Garcia. Nonetheless, she faded into obscurity for almost three decades. Ironically, she noted that conservative doctors, lawyers, and politicians had been some of the clients who'd paid Klaw for Page's pictures. As a result of the hearing, many of Page's photographs were destroyed, and she walked away from the camera. His death was blamed on his supposed viewing of Page's bondage modeling. Kafauver's evidence? A boy scout had been discovered hanging from a tree. Out of fear her photos for Klaw (especially those involving BDSM and suggested lesbianism) were corrupting the youth, a committee to address juvenile delinquency was convened in 1955, and Page was subpoenaed by Senator and moral panic-peddler Estes Kafauver to testify against her publisher. Yet, as she became more popular, she came under heightened scrutiny from Congress. Page wasn't pictured with men and the poses were carefully staged. Though they were creating provocative images, they weren't creating pornography. In director Mark Mori's "Bettie Page Reveals All," Page points out that none of these men and women ever "made a pass" at her. All five forced themselves upon her, and she was afraid she'd be killed or left for dead. Page told them she was menstruating, but that only mitigated the attack. She was struck in the head and taken behind a school building, where five men attempted to rape her. When they stopped to pick up four more men, Page began to feel that something was amiss. On one occasion, a handsome and seemingly gentlemanly stranger asked her if she wanted to join him. She recounted to Mori how she loved to go dancing. Some years later, when trying to make her way in New York City, Page would become the victim of a violent sexual assault. For ten cents, which she spent going to the movies, she'd let him fondle her "on the outside." Of course, no child can truly consent to being sexually abused for any price, and what Page went through as a young teenager was traumatic. Beginning at about the age of 13, Page would negotiate sex acts with her father. Page's father molested her too, but she was able to exert some control over the awful situation.
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