![]() Netflix prefers that you use the following settings when using this camera: RAW FF 5952×3140 in Canon RAW, XF-AVC (4K), or ProRes HQ (4K). The sensor is 38.1mm x 20.1mm, with 5952 x 3140 active photosites. Upgraded from the C700 - which had a Super 35mm sensor - the C700 FF, as is stated in the name, is a full-frame camera with outstanding specs. The C700 FF has a longer more standard cinema camera body and is available in either EF or PL mount options. ![]() Netflix prefers that you use the following settings when using this camera: 4K (4096×2160) or 4.5K (4512×2376) in Canon RAW, XF-AVC (4K), or ProRes HQ (4K). The flagship of the Canon Cinema line in 2016, the C700 has three Divic DV 5 image processors, with the ability to export 4k RAW using a CODEX recorder and it has great image quality that still hold up today. Netflix prefers that you use the following settings when using this camera: 4K (4096×2160) in Canon RAW. When it was released, it had industry leading specs, shooting up to 120 frames per second at 4K, and outputting Cinema RAW. Canon C500Ĭanon released the C500 back in 2012 and this camera is still a workhorse in the industry. This camera has also been approved for anamorphic capture. Netflix prefers that you use the following settings when using this camera: 5.9K (5952×3140) in Cinema RAW Light or XF-AVC (4K). It has a modular design that allows you to strip it down for minimalistic use or build it up for full production work. The C500 Mk II is a high-level production camera that has a stabilized full-frame sensor which can record to RAW light. Netflix prefers that you use the following settings when using this camera: 4K (4096×2160) in Cinema RAW Light or XF-AVC (4K). The most recent update of the C300 line, the Mk III added the ability to shoot 120 frames per second at 4K in RAW or XF-AVC. Netflix prefers that you use the following settings when using this camera: 4K (4096×2160) in Canon RAW or XF-AVC (4K). Released in 2015, the C300Mk II added a new sensor that allows the camera to capture 4K internally in 4:2:2 at 10-bit depth with faster sensor reads leading to less rolling shutter. Considering it supports internal 8K/60P RAW or Cinema RAW Light recording, HDMI 8K RAW output to external recorders, and 8K HDR recording, this is a great choice for filmmakers. It’s interface has also been updated to meet the needs of professionals - including 13 assignable buttons. The Canon R5C incorporates a new internal cooling fan that allows for unlimited 8K 60fps recording. Netflix prefers that you use the following settings when using this camera: 6K (6560×3100) in ARRIRAW. This camera has been used to shoot many of the latest huge Hollywood movies. This is the largest sensor from ARRI at 54.12 x 25.88mm. Netflix prefers that you use the following settings when using this camera: 4.5K (4448×3096) in ARRIRAW or ProRes 4444. ![]() It took on the form factor and most of the features of the Alexa Mini while still being able to squeeze in a large format sensor. This is the smaller version of the ARRI Alexa LF. With a large format sensor, this camera was first release in September of 2019 and the market went crazy for it. You’ll see some of these cameras are currently available for purchase at Adorama, or available to rent through Adorama Rental Company. The list of cameras below have been approved for Netflix productions, as of July 2022. You should use a log profile to capture as much highlight and shadow information as possible. with no looks being baked into the original camera files. An example is S-Gamut3.cine, RED Wide Gamut RGB, Alexa Wide Gamut, etc. You should use as wide a color space as possible. You need a minimum of 16 bit linear recording or at least 10bit log processing. Also, all files should contain all the metadata such as Timecode, Frame Rate, ISO, WB, etc. For data rate, the minimum should be 240Mbs at 10bit UHD 23.98. Your camera should be able to record in either a RAW format such as ARRIRAW, REDCODE, X-OCN, or similar, or in a compressed format that has all intra recording with a high bit rate, such as XAVC or ProRes HQ. ![]() Please check the list of Netflix-approved cameras below to see if your camera is allowed to shoot anamorphic. This includes if you are shooting anamorphic, in which case you may need to have a higher resolution sensor to stay compliant. The sensor must be able to capture a resolution of 3840 pixels for the width. You must make sure that your camera can shoot a minimum of 4K UHD.
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